These pieces are wheel thrown in different combinations of dark and light stoneware, reclaimed from Abigail's shared studio. Glazed with a palette of dolomite and transparent glazes, these tactile mugs are made to be used.

"I come to ceramics from a background in painting, so that the body and form of clay is another surface for making marks and cultivating textures. Unlike a painting, a pot has no front or back, but one can reach inside it, respond to the human impulse to touch and handle it."