Following Yves Saint Laurent and Marc Bohan, who had both been hired by Christian Dior himself, the Italian couturier Gianfranco Ferré, with an architecture degree from Milan Polytechnic, was selected in 1989 as the new artistic director of the house of Dior.

Ferré’s odes to the essence of Christian Dior’s style helped cement the iconography of the house for a new era. Known for his sense of architecture, love of feminine silhouettes, extravagance and opulence in bold color and sumptuous fabrics, and dynamic draping, Ferré redefined the notion of “Dior” as a style, a code, a spirit.

This beautiful volume showcases Gianfranco Ferré’s most emblematic haute couture designs for Dior, from the Ascot–Cecil Beaton collection of Autumn-Winter 1989 to the Indian Passion collection of Autumn-Winter 1996. Fashion journalist Alexander Fury eloquently explores Ferré’s vision to balance his own taste and that of Christian Dior, reinterpreting Dior’s elegant style for the 1990s and a new generation of clients and fashion observers.

Alexander Fury is a fashion journalist, author, and critic. In 2017 he was appointed editor of AnOther magazine, and in 2016 was made the first Chief Fashion Correspondent at T: The New York Times Style Magazine. From 2013 to 2016 he was fashion editor of The Independent, i, and The Independent on Sunday newspapers. In 2018, Fury received the Honorary Doctorate of Humane Letters from the Academy of Art University, San Francisco.