YOU ARE MY SUNSHINEYOU ARE MY SUNSHINE marks Copeland's return to the indie scene after a brief hiatus during which the successful Florida outfit considered aligning itself with Columbia Records and released the stopgap, odds and sods collection DRESSED UP AND IN LINE before settling down with sympathetic indie imprint Tooth & Nail. The confident and assured YOU ARE MY SUNSHINE exhibits little evidence of this turmoil, however, and sounds like a logical progression from
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YOU ARE MY SUNSHINE marks Copeland's return to the indie scene after a brief hiatus during which the successful Florida outfit considered aligning itself with Columbia Records and released the stopgap, odds-and-sods collection DRESSED UP AND IN LINE before settling down with sympathetic indie imprint Tooth & Nail. The confident and assured YOU ARE MY SUNSHINE exhibits little evidence of this turmoil, however, and sounds like a logical progression from the rapidly maturing emo pop of 2006's EAT, SLEEP, REPEAT. As always, Aaron Marsh's whispery, Elliott Smith-like vocals establish a rather subdued tone that allows relative innovations like the unusual chord progression of "The Grey Man" and the horn dappled hooks of "The Day I Lost My Voice (The Suitcase Song)" to lend subtle sonic coloring to this pleasing, unobtrusive record.